Feature Film “Gold” shoots with rickshaw
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Tag Archives: filming rickshaw
Jogging In Barcelona
Here’s Steadicam op. Ramon Sanchez shooting with the step on rickshaw at the beach in Barcelona.
Rickshaw on “The A Word”
The standard rickshaw has been up in the Lake District this week with the crew “The A Word” series 2 which is currently filming around Keswick and Derwent Water.
Safe House 2 shoots with rickshaw
The rickshaw has recently been out with the crew from the second series of police drama “Safe House”, which has been filming around Merseyside and Cheshire.
Balloon wheels helped to smooth out tracking shots over waste ground.
Rickshaw in Barcelona
Barcelona based Steadicam operator Ramon Sanchez has recently taken delivery of a step on/off rickshaw with additional balloon wheels and cycle mount.
Alf saddles up.
Steadicam supremo Alf Tramontin climbed aboard the cycle rickshaw this week for series two of police drama “No Offence”. To shoot a BMX chase sequence, Alf used the step on/off rickshaw attached to the bike. With his rig hard mounted and underslung he was able to shoot dramatic low angle fast paced coverage
Rickshaw Snow Chase
Just completed Steadicam work on a new feature film adaptation of “Heidi” starring Bill Nighy and Emilia Fox. In order to film a fast paced snow chase, the step on/off rickshaw was configured for two wheel mode with the rig hard mounted and under slung.
BIFA Films shoot feature film in Bradford
I am currently shooting Steadicam on feature film “Lies we Tell” for Dop Santosh Sivan and Director Mitu Misra. Produced by Andy McDermott and Danny Gulliver for BIFA Films, the movie is set within the Pakistani community in Bradford and stars Harvey Kietel and Gabriel Byrne.
The step on rickshaw was used for a long tracking sequence during a big wedding scene along with several drones and a Technocrane.
Simon Wood shoots with Step On/Off Rickshaw
Steadicam operator Simon Wood had the step on/off rickshaw on the cobbles of Coronation Street this week on the promo shoot for the upcoming Corry live episode in September. Shooting with the Arri 435 and his Nexus rig, he had to track backwards down a cobbled alleyway ahead of running actors. He configured the rickshaw for two wheel mode, with balloon tyres and seat to smooth out the cobbles.
“Surprise Surprise” shoot with Cycle Rickshaw
